Every man is able to love me and to know that I love him.

Every man is able to love me and to know that I love him.

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Above all love
A hidden inheritance

of Francesco Arista and Antonella Molica

Argument

insistent

→ Play with the world, smile at events.
→ Love me and you will find light, truth, the fullness of being, something with respect to which the events of this world lose importance.
→ The temporary aspects of history, the events, count for little or nothing compared to the full realization of the eternal project.
→ The things, the events of this world are worth infinitely less than what is eternal, and you are.

→ Love me and you will live.
→ Love eternal love and you will truly love.
→ Love me fully and you will find yourself, your destiny, your fulfillment, the sense of being.

→ Sometimes the mind takes you away from me, from reality.
→ What lasts forever is true, real, indestructible, sublime.
→ The world is ambiguous, and above all, it is not real.
→ The outside of me does not really exist, it is not real, at most it appears only for a while.
→ At the right time you will know the real life, the eternal destiny that I have prepared for you.

→ The illusion of the world is destined to nullify itself.

→ The man-god is my creature, the realization of which I am pleased.

→ Every man is able to love me and to know that I love him.

→ The more you think about me and love me, the sooner you are aware of the truth, the less you suffer.

→ Who loves me more than the world finds me.
→ Hold on, stay aware of me, and you'll be stronger than the world, you can't be won by illusion.
→ You're everything to me and I care about you more than anything in the world.
→ You are by nature infinitely stronger and bigger than the world, and if you want it all the way, you can achieve yourself.
→ The smallest of my sons is incomparably superior to everything of the world.

→ To win the world, man must have an end beyond the world, and adhere to that end until he considers the secondary world, devoid of true reality.

→ If you don't lead it, your mind imposes on you the contents of the world, sooner or later painful.
→ If you don't see what's going through your mind, you can't drive it.
→ Whoever neglects me is guided by the conditioning of the world and the body, he has the mind and thoughts on the material plane.

→ The world can only take away from you what belongs to it, illusory and temporary things.

→ Going deeper into the examination of the causes, the painful imbalances originate in the structure of the world and the body, therefore in the devil or in God.

→ Reflection, intelligence can and must see, recognize and overcome the nature of the cosmos, changing, continuously discontinuous, certainly uncertain, contradictory, tending to annihilate itself, and find in a sure and indissoluble way the immortal nature and its own unity with it.
→ A part of this process, the detection of one's contrast with the world, is aided by pain.

Recurrences in the text

→ Play with the world, smile at events.
→ Love me and you will find light, truth, the fullness of being, something with respect to which the events of this world lose importance.
→ The world is ambiguous, and above all, it is not real.
→ The illusion of the world is destined to nullify itself.
→ The man-god is my creature, the realization of which I am pleased.
→ Every man is able to love me and to know that I love him.
→ The more you think about me and love me, the sooner you are aware of the truth, the less you suffer.
→ You're everything to me and I care about you more than anything in the world.
→ To win the world, man must have an end beyond the world, and adhere to that end until he considers the secondary world, devoid of true reality.
→ If you don't see what's going through your mind, you can't drive it.
→ The world can only take away from you what belongs to it, illusory and temporary things.
→ Going deeper into the examination of the causes, the painful imbalances originate in the structure of the world and the body, therefore in the devil or in God.
→ A part of this process, the detection of one's contrast with the world, is aided by pain.

Relative arguments