I can love you everywhere, but love is uncertain in bodies, in sensations, in what is temporary, it is certain in what is eternal.
Above all love
A hidden inheritance
- of Francesco Arista and Antonella Molica
Argument
Recurrences in the text
- → You are deeply, by nature close, similar to me, part of me, of that eternity that the world wants you to forget.
- → Say that pain and difficulties are temporary, they belong to this world and not to you, who are destined to exist forever, with me, in love.
- → If the mind generalizes the voice of the world, it says that everything is temporary.
- → Without me, you lose yourself, the world drags you into its illusion, it robs you of the truth, of your eternal identity.
- → My project about you is of maximum love on my part and on your part, and it will not fail.
- → A serene faith is worth more than absurd or unbalanced sacrifices, rigid forms or hard rules.
- → I love you and I want you, as you already know, and I will undoubtedly have you.
- → Infinite love is also in bodies, but certainly beyond bodies, even in sensations, but certainly beyond sensations, even in temporariness, but certainly beyond temporariness.
- → I can love you everywhere, but love is uncertain in bodies, in sensations, in what is temporary, it is certain in what is eternal.
- → Certain love is eternal and there I am fully.
- → The path in the world is difficult, but I love you and you can and must overcome it.
- → When you practice conscious contact with me, you can see the enormous force that tries to distract you and subdue you.
- → In the world, humanity is drugged, in a deep state of unawareness.
- → The temporary and the eternal, the finite and the infinite are two not comparable dimensions, completely different.
- → If you do not choose it is because you do not distinguish the differences, whoever ignores the way of heaven cannot choose it.
- → I am much closer and more intimate to you than your sensations, which are signs, of your body, a shell, of much of what you thought you were, that is, an external construction mediated with the world.
Relative arguments